A Series of UOs
In collaboration with Stephanie Sang Delgado, Nicole Potts, and Bryant Phares
Science fiction always says more about the present state of things than the future. Meaning that, although the genre is usually associated with futuristic visions, the more prominent narratives are those which put forth as analogies to contemporary issues. Therefore we can say that sci-fi can be used as a proxy to critique matters of the present. Using this conceptual strategy, A Series of Unidentified Objects sought to respond to the topic of “otherness” by inviting an audience to participate in a collective science fiction performance.
Presented for your consideration here are nine alien objects accompanied by descriptions of where and when each was recovered. These mysterious objects are on loan from the IASEM, and are being exhibited in order to gain input from the public on their true nature. Each object’s point of origin varies widely, but they are related in both appearance and the circumstances of their encounter. They were all recovered between 1945 and 1980. While the agency has studied these artifacts closely for the past sixty years, they admit that all their findings are based purely on speculation. While their size and character suggest that are seed-like, there is no real evidence that they are living organisms. Nevertheless, they are being preserved in a state of suspended animation for the time being. Along with the objects, IASEM has also included some animated diagrams of their analysis as part of the exhibition.
The goal of the exhibition is to come to some understanding of what these objects signify for us as citizens of Earth. Scientists have been studying them for over sixty years, and have not been able to reach any clear conclusion as to their purpose. There have been many remnants from unidentified flying objects (UFOs) recovered throughout history, yet these nine objects have eluded all interpretation. Perhaps with the public’s help, we can get to the bottom of this once and for all.